With her buttery vocals and captivating hooks, Lindsay tells stories of nostalgia, growing up, and relationships, while she gracefully skims the surfaces of pop, electronic, jazz, and classical music – landing in a fresh sound of her own.

"My first time really performing was for ballet. I did that as a kid and then immediately fell into voice lessons," she says. "I loved the momentum behind each ballet. The ingredients of emotion. The source of the chills—the music." From ages five to fourteen, she attended an assemblage of weekly dance and voice performance classes, with summer enrollments in theater camps at Cincinnati Playhouse in the Park and the College-Conservatory of Music at the University of Cincinnati. Throughout her high school years, she continued to sharpen her skills, focusing more specifically on musical theater and voice performance.

As a teenager, she trained privately for seven years of classical voice instruction with Cincinnati Music Academy and landed roles such as Peggy Sawyer in 42nd Street, Mille in Thoroughly Modern Millie, and Baker's Wife in Into The Woods—two of which she received nominations for ‘Best Female Vocalist in a Musical' through The Cincinnati Cappies Awards. She was awarded 'Best Female Actress in a Musical' for her role in Sondheim's Into The Woods. Her high school summers she filled with vocal intensives through The Boston Conservatory and DePauw University, songwriting classes through Berklee College of Music, and band tours through the midwest and great lakes region as the Female Jazz Vocalist for her high school's Electric Jazz Orchestra. Receiving scholarships from several conservatories and music programs across the country, she chose to continue her music aspirations in Nashville at Belmont and Lipscomb Universities, studying Vocal Performance by day and chasing a music career by night.

A voice that soars with a sugary energy and dives deep into the realms of rich colors, she feeds on her array of musical influences growing up while her technique proves to be polished. Her sound is distinctive and her songwriting is relatable. Submerged in the Nashville music scene for over twelve years now, she has been played on NPR and Starbucks radio worldwide. HuffPost “could not be more excited for what’s to come from this incredible songstress.”

Her 2015 debut folk EP Grow Wild was produced by Chris Latham (Dolly Parton, John Oates). Bursting with ear candy, Teenage Lullaby of 2017 marked her confident shift to pop, an EP that caught attention from platforms like PopMatters and No Country for New Nashville, produced by Nashville’s Jeremy Lutito (Colony House, The New Respects). Nestled into piano indie pop, Latimer has been creating on terrain she believes is her destined sonic sphere, now sharing her debut work as producer in her 2020 EP Little Tiny Ocean.